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An accomplished banjo player should be able to step out and take a solo in a wide variety of keys, even without the use of a capo. Many learning pickers are challenged by this concept, but master teacher Pete Wernick breaks it down in a way that makes it easy.

You’ll learn how to create solos in the keys of D, C, F, and up the neck in G. Pete explores nine bluegrass standards, showing first how to find each song’s melody notes, then how to create a full-fledged arrangement featuring the recognizable tune. The addition of appealing licks, lead-ins, tags, and other embellishments will give your solos polish and interest.

Songs: Roll in My Sweet Baby’s Arms (D); As I Went Down to the Valley to Pray (D); Angeline the Baker (D); Colleen Malone (D or E); Country Blues (D); New River Train (C); Ain’t Gonna Work Tomorrow (C Tuning); Don’t Let Your Deal Go Down (F); Will the Circle Be Unbroken (G up the neck).

Chapters
Introduction
Playing in D - Returning the 5th String
Roll In My Sweet Baby's Arms (D)
About Learning the Break
Melody Notes
Building the Solo
Ideas for Breaks and Backup in D
Down in the Valley to Pray (D)
Angeline the Baker (D)
Colleen Malond (D with Capo)
Bluesy Variations in D
The Country Blues (D)
Soloing in C - No Capo
New River Train (C)
Filler Content for Key of C
Using C Tuning
Ain't Gonna Work Tomorrow (C)
Don't Let Your Deal Go Down (F)
Using Movable Positions
Key of G - Up The Neck
Will The Circle Be Unbroken (G)
Finding the Melody